Finding Forrester | 
 enlarge | Director: Gus Van Sant
Actors: Sean Connery, Rob Brown, F. Murray Abraham, Anna Paquin, Matt Damon
Studio: Sony Pictures
Category: DVD
List Price: $9.95
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Rating:  218 reviews
Sales Rank: 2294
Format: Anamorphic, Closed-captioned, Color, Dolby, Dubbed, Dvd-video, Subtitled, Widescreen, Ntsc
Languages: English (Original Language), French (Original Language), English (Subtitled), French (Subtitled), French (Dubbed)
Rating: PG-13 (Parental Guidance Suggested)
Number Of Items: 1
Running Time: 136
Aspect Ratio: 2.35:1
Shipping Weight (lbs): 0.2
Dimensions (in): 7.4 x 5 x 0.6
MPN: D05989D
ISBN: 0767861434
UPC: 043396059894
EAN: 9780767861434
ASIN: B00005ASOC
Theatrical Release Date: December 19, 2000
Release Date: April 24, 2001
Availability: Usually ships in 1-2 business days
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Amazon.com
Finding Forrester could have been a shallow variant of The Karate Kid, congratulating itself for featuring a 16-year-old black kid from the South Bronx who's a brilliant scholar-athlete. Instead, director Gus Van Sant plays it matter-of-fact and totally real, casting a nonactor (Rob Brown) as Jamal, a basketball player and gifted student whose writing talent is nurtured by a famously reclusive author. William Forrester (Sean Connery) became a literary icon four decades earlier with a Pulitzer-winning novel, then disappeared (like J.D. Salinger) into his dark, book-filled apartment, agoraphobic and withdrawn from publishing, but as passionate as ever about writing. On a dare, Jamal sneaks into Forrester's musty sanctuary, and what might have been a condescending cliche--homeboy rescued by wiser white mentor--turns into an inspiring meeting of minds, with mutual respect and intelligence erasing boundaries of culture and generation. Comparisons to Van Sant's Good Will Hunting are inevitable, but Finding Forrester is more honest and less prone to touchy-feely sentiment, as in the way Jamal and a private-school classmate (Anna Paquin) develop a mutual attraction that remains almost entirely unspoken. The film takes a conventional turn when Jamal must defend his integrity (with Forrester's help) in a writing contest judged by a skeptical teacher (F. Murray Abraham), but this ethical subplot is a credible catalyst for Forrester's most dramatic display of friendship. It's one of many fine moments for Connery and Brown (a screen natural), in a memorable film that transcends issues of race to embrace the joy of learning. --Jeff Shannon
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| Customer Reviews: Read 213 more reviews...
 Sometimes You Can't Find the Forrester for the Trees July 8, 2008
Finding Forrester (2000)
Sean Connery is William Forrester, a brilliant novelist who published one book and then stopped publishing. Newcomer Rob Brown is Jamal Wallace. He is a black kid, or man of 16 years, living in the Bronx. He lives for basketball, but is a voracious reader, and he writes in journals. He keeps them in his backpack. He thinks he is a basketball player, but he was born to be a writer.
On a dare, he is supposed to sneak into some old man's apartment, and steal something. He roams the house and takes a knife. He's about to leave when startled, he leaves his backpack behind. When he later recovers it, the writings in his journals have been red penciled. So begins an unlikely friendship. Or perhaps more of a student to teacher relationship.
Meanwhile, when he excels on his test scores, he is offered a scholarship at the top prep school. It doesn't hurt that he is good at basketball, either. F. Murray Abraham is Prof. Robert Crawford. He is a bitter failed writer himself. He doubts that a basketball player from the Bronx can write so well, and he accuses him of plagerism.
To further complicate things, Anna Paquin is Claire Spence, the daughter of a prominent faculty member. There is a lot of chemistry, biology, and physics, going on between them, if you solve my equation.
Busta Rhymes is Terrell Wallace, Jamal's brother, who dreams of rap glory, but works in a parking lot. He is keeping it real.
Sean Connery as Forrester is fabulous, always giving sage advice at unexpected times. Like this:
Forrester: The key to a woman's heart is an unexpected gift at an unexpected time.
Besides advice, the best thing Forrester does is encourage Jamal to write. He is like an athletic coach in his approach:
Forrester: Punch the keys, for God's sake!
I read somewhere that writing is the hardest thing to show in a movie, because it's not very dramatic to look at people typing. This movie breaks that rule, and gets away with it. It is the best type of typing scene since David Bowie danced on a giant typewriter in Absolute Beginners. And Forrester still with the pearls of wisdom teeth flowing:
Forrester: No thinking - that comes later. You must write your first draft with your heart. You rewrite with your head. The first key to writing is... to write, not to think!
There is a bit on Saturday Night Live with Will Ferrell as Alex Trebec, suffering through Celebrity Jeopardy, where the questions are dumbed down to the point that actors, not squirmy and obsessive fact nerds, can get them. Sean Connery is always depicted as a total bufoon. It was a recurring bit, and it always featured a parody of Sean Connery, who was always the most severly stupid contestant of a slew of Celebrity Jeopardy numbskulls. There is a scene where Forrester and Jamal are watching Jeopardy:
Jamal: I'll take poor assumptions for $800, Alex.
Such sweet, sweet, irony.
Sean Connery gave a stellar performance. Wise, sage, but also an agoraphobic curmudgeon subject to the frailties of the flesh.
Rob Brown more than kept pace with the seasoned pros. He was believable and authentic as a kid from the Bronx, on the basketball court, but he was just as believable in the classroom, as a literary enfante terrible.
F. Murray Abraham was most excellent in his portrayal of Jamal's nemesis, Prof. Robert Crawford. Bitter and disappointed about his failure of a novel, he is jealous of Jamal's talent, and accuses him of plagarism. He is like Mozart's Saleri, a man of lesser talent who yearns to bring the angel Gabriel down. A man consumed with envy. I last saw him in Might Apphrodite, a Woody Allen film, and he was good there, too.
Anna Paquin turns in her usual fantastic job as Claire Spence. There is an unspoken romance and unmistakable attraction, but nothing is ever acted on. Somehow, all the more tantalizing, but also a loose end that should have, could have, been sewn up.
The music was fantastic as well. Lots of first rate Miles Davis music compliments Finding Forrester. It's a generous sampling of Davis's early 1970s work with side helpings of Ornette Coleman and guitarist Bill Frisell. With the help of Ron Carter, Herbie Hancock, Wayne Shorter, and Tony Williams, Miles Davis molded his second "classic" quintet into a earthshaking concoction of fonk and ruck far beyond the confines of the farthest reaches of fusion. Both "Recollections" and "Lonely Fire" are from Miles' Bitches Brew sessions and offer an atmospheric cocoon of cathedral ambience. This combined with Davis's polyrhythmic funk--"Black Satin" from On the Corner--Ornette Coleman's alto sax--and Bill Frisell & Co's artful guitar noodlings make for a pleasant soundtrack indeed.
SONG LIST OF THE SOUNDTRACK
1. Recollections - Miles Davis
2. Little Church - Miles Davis
3. Black Satin - Miles Davis
4. Under A Golden Sky - Bill Frisell
5. Happy House - Ornette Coleman
6. Over The Rainbow (Photo Book) - Bill Frisell
7. Lonely Fire (Excerpt) - Miles Davis
8. Over the Rainbow/What a Wonderful World - Israel "Iz" Kamakwiwo'ole
9. Vonetta - Miles Davis
10. Coffaro's Theme - Bill Frisell/Ron Miles/Curtis Fowlkes/Eyvind Kang
11. Foreigner In A Free Land - Ornette Coleman
12. Beautiful - Bill Frisell/Hank Roberts/Kermit Driscoll/Joey Baron
13. In A Silent Way (DJ Cam Remix) - Miles Davis
Finally, congratulations to the director, Mr. PutTogetherMan, Gus Van Sant. In some ways it is like Good Will Hunting, which Gus also directed, with a story of a young genius finding his mentor. Gus Van Sant did a great job at putting it all together, and he also got great performances out of his actors. He seems to have a great feel for the Bronx, even if he never lived there himself. He shows remarkable empathy for all the people, and structures his drama masterfully--and no hidden agendas. Well done, my good fellow.
TEN FILMS OF SEAN CONNERY, SEVEN OF THEM AS JAMES BOND
The Name of the Rose (1986) .... William of Baskerville
Never Say Never Again (1983) .... James Bond
Zardoz (1974) .... Zed
Diamonds Are Forever (1971) .... James Bond
You Only Live Twice (1967) .... James Bond
Thunderball (1965) .... James Bond
Goldfinger (1964) .... James Bond
From Russia With Love (1963) .... James Bond
Dr. No (1962) .... James Bond
Darby O'Gill and the Little People (1959) .... Michael McBride
Jamal: Women will sleep with you if you write a book?
Forrester: Women will sleep with you if you write a bad book.
Great Message June 9, 2008
Liked the message in the movie. Bought it as an inspirational piece for my younger family members.
You're the man now, dog! May 29, 2008
Honestly, does it get any funnier than Sean Connery yelling out, "You're the man now, dog!" That's priceless. Not only is it funny because it's Connery using modern day slang, it's also because the usage of the word "dog" went out of style faster than...well, it never was cool to say. The saying, however, is as timeless as "more cowbell" and "My name is Inigo Montoya..." - it just gets better each time it's heard.
Another classic line is when Connery belts out, "PUNCH the keys for God's sake!" It's not quite up to YTMND standards, but PTKFGS is nonetheless hilarious.
The movie itself is highly inspirational and entertaining. William Forrester (Connery) is a reclusive, agoraphobic, Pulitzer Prize winning author living in Harlem. He's somewhat of a neighborhood boogeyman, and one day a prodigous yet troubled talent named Jamal Wallace (Rob Brown) dares to sneak into the apartment. Forrester scares him away, and in his haste, Wallace drops his backpack with his writings. Some time later the work is returned, but all the papers are edited and reviewed. In no time at all, the two are friends, Forrester is reviewing all of Wallace's work, and the two famous lines are uttered.
The struggle and relationship between student and teacher is truly fabulous to watch in this movie. And when Wallace attempts to help his teacher, or to coax out any sort of information, there is a palpable tension. The true battle eventually unfolds between Wallace, his school, and his professor, where someone must sacrifice in order to help the other.
I highly recommend this movie in every circumstance. It's a feel good movie with true life-lessons.
A Classic May 27, 2008
In the twilight of his career, Sean Connery proved he still had it all and gave it all in this awesome tale. While many people will not immediately connect with the characters, it is a story that can grab you when you least expect and truly open your eyes to so many of the truths that are overlooked in our society today.
Connery plays a writer turned recluse named William Forester, who is a real author, and he lives in New York City. He remains in the home of his youth, despite the fact that over time it has changed from a middle class white neighborhood into a overall low income area in which the Black families that live in the area are struggling just to get by.
He meets a prodigy by the name of Jamaal, a young Black man who is in the prime of his High School career and is both a great athlete as he is a great writer. Jamaal suffers from what many other youth suffer from, he fears to be alienated simply because he is smart and enjoys literature. Jamaal is given a scholarship to a top tier NY private school and learns that life is not as different as many thought between the white and black worlds, just different means to the same ends.
Jamaal becomes Connery's pupil and learns to truly express himself via his writing, and while he learns about himself, he forces Connery's to do the same and the two not only become friends, but conquer some of the true challenge's that life presents.
This is a great film, something everyone could enjoy. It will certainly go down as a classic, and one of the best performances Connery graced us with.
GUS VAN SANT, OPUS 8 December 19, 2007
***** 2000. Directed by Gus Van Sant. A cloistered writer becomes the mentor of a young man from the Bronx. Sean -Salinger- Connery, during a brilliant and almost mystical scene, literally passes on his talent to his disciple by making him re-write one of his unpublished essays. Masterpiece.
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