Richard III | 
 enlarge | Director: Richard Loncraine
Actors: Ian Mckellen, Annette Bening, Jim Broadbent, Robert Downey Jr., Nigel Hawthorne
Studio: MGM (Video & DVD)
Category: DVD
List Price: $14.98
Buy New: $4.43
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Rating:  115 reviews
Sales Rank: 3829
Format: Closed-captioned, Color, Dvd-video, Full Screen, Letterboxed, Widescreen, Ntsc
Languages: English (Original Language), French (Subtitled), Spanish (Subtitled)
Rating: R (Restricted)
Number Of Items: 1
Running Time: 104
Aspect Ratio: 2.35:1
DVD Layers: 1
DVD Sides: 2
Picture Format: Array
Shipping Weight (lbs): 0.1
Dimensions (in): 7.5 x 5.4 x 0.6
MPN: D908419D
ISBN: 0792844041
UPC: 027616841926
EAN: 9780792844044
ASIN: 0792844041
Theatrical Release Date: December 29, 1995
Release Date: March 28, 2000
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: ******BRAND NEW****** THE SOURCE FOR RARE MEDIA, THOUSANDS OF CUSTOMERS SATISFIED, AND OVER 250 000 ITEMS IN STOCK, BUY FROM A TRUSTED SOURCE, ESTABLISHED SINCE 1998 - INETVIDEO ~~~
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Amazon.com
This film adaptation of a critically acclaimed stage production of Shakespeare's historical drama stars Ian McKellen in the title role. The setting is a comic-book vision of 1930s London: part art deco, part Third Reich, part industrial-age rust and rot. The play's force is turned into a synthetic high by art directors and storyboard sketchers, all of whom have a field day condensing the material into disposable pop imagery. This is a fun film, more than anything, so infatuated with its own monstrous stitchery that even the most awkward casting (Annette Bening and Robert Downey Jr.) seems a part of the ridiculous design. McKellen is the best thing about the movie, his mesmerizing portrayal of freakish despotism and poisoned desire a thing to behold. Directed by Richard Loncraine (Bellman and True). --Tom Keogh
Description
Shakespeare's immortal tale of ambition, lust and murderous treachery is brilliantly updated and brought to life in this riveting, 20th-century masterpiece. Boasting breathtaking performances, unforgettable imagery and two OscarA(r) nominations*, this astounding wartime spectacle is mesmerizing...it will rivet you and shock you (Jeffrey Lyons, 'sneak Previews ). In 1930s Britain, a savage, civil war between two royal families has just concluded. But even as the newly installed King Edward (John Wood) takes the reins of power, his ruthless, younger brother Richard (Ian McKellen) sets in motion a monstrous scheme to claim the crown for himself. Enlisting the aid of equally duplicitous allies in the court, Richard embarks on a merciless, single-minded campaign of betrayal, seduction and cold-blooded murder to achieve the goal that has obsessed him all of his tortured life: to beking...at any price. *1995: Costume Design, Art Direction
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| Customer Reviews: Read 110 more reviews...
 A Note About Where the Ending Was Borrowed From June 2, 2008
1 out of 1 found this review helpful
The ending is taken from "White Heat" starring James Cagney playing gangster Cody Jarrett. As he falls, back-first, from atop the chemical storage tank, the camera tracks Jarrett's plunge into the hellish flames below. Jarrett's last words are: "Top of the world!"
As Richard falls to his death in the flames below, the soundtrack plays a song begins with the words: "I'm sitting on the top of the world, just rolling along, just rolling along...."
It couldn't just be mere coincidence.
 A Chilling Version Of A Shakespeare Classic March 1, 2008
1 out of 1 found this review helpful
When it comes to updates of the Shakespeare plays , Richard III is probably the best of the lot. While it might seem like an unusual concept to take the classic play of deceit, betrayal, seduction, and cold-blooded murder out of the 1400's and into an alternate history 1930's version of England, the cast and production designs make that concept seem not only believable but so realistic you might find yourself wondering if this could really have happened if events had played out like they do in the film.
Ian McKellen plays the title role, the youngest brother of the royal family of the York's, who is determined to take the throne at whatever cost. McKellen's performance is chilling to say the least. From the moment he is introduced in a classic introduction to the battle sequence at the end of the film, McKellen makes the character of Richard seem to be the most evil villain ever to grace a movie screen as he is able to literally become the character in the vast web of deception via acting like he has no interest in taking the throne. McKellen sells Richard and he grips your attention to where your focus is entirely on him, making the trailer line about Richard being the "greatest villain of all time" ring very true and it's a shame that McKellen didn't even get an Oscar nomination for his performance.
Annette Benning plays Queen Elizabeth, the American wife of Richard's brother Edward. Many have complained about Benning in the role for various reasons including the fact that she is American and some question her acting ability. Benning, in my opinion, succeeds in making the idea of an American queen seem realistic and her acting talent matches up against McKellen in every scene the two are in together. Also keep in mind this is an alternate history, so an American queen of England isn't that unfeasible. Robert Downey Jr. plays her brother, Rivers. Rivers disappears about midway trough the film, but for the first half of the film, he is Richard's biggest enemy and his obvious dislike of Richard is evident in Downey's performance and the scene where his character meets his demise is shocking to say the least. Jim Broadbent plays the role of Buckingham, Richard's biggest supporter, with unnerving calm and his conniving attitude makes him almost as big of a villain as Richard. Kristin Scott Thomas is superb as Anne, the widow of one of Richard's victims who eventually falls for Richard and lives long enough to regret it. Her confrontation against Richard in a morgue towards the film's beginning stands out as one of the film's best scenes.
The concept of being updated to the 1930's is no more evident then in the production design. There is no doubt that we are in the 1930's and the filmmakers appear to have gone to great steps to make it evident that this is very much an alternate history. As I am sure others have commented this England is not the England we all know and love. Instead, one constantly gets the feeling that we are instead in a Nazi version of England. Everywhere in the film, in the costumes especially, the aura of Nazi Germany can be felt. Virtually all of Richard's costumes are based off German uniforms of the Nazi era, as are the uniforms worn by his supporters in the film's final half. If anyone doubts the influence of Nazi Germany on this alternate history version of England, look at the rally scene shortly before Richard is crowned. It doesn't take a lot of imagination to realize that this scene is a case of deja vu: it is almost identical to the well known documentary footage we have all seen of Nazi rallies right down to the flags that, while containing a boar instead of the swastika, still makes one think that they're in Nazi Germany.
Also, Trevor Jones score is a must hear. The beautiful song at the beginning of the film sells the idea of the 1930's very well. The score, while at times going out of the 1930's, does the job of keeping the feeling of tension throughout the film and is another example of the talent of Trevor Jones.
The DVD release is a bit of a disappointment though. It's pretty standard fare from MGM with only a theatrical trailer for special features. It's shame considering how good of a film this is that there is no audio commentary or making of documentary.
Few films have the power to hold the attention of a viewer from beginning to end, especially when there is a large amount of dialog. But with the performance given by Ian McKellen, production design, battle sequences, and the score by Trevor Jones, Richard III easily counts not only as a must see but as a modern classic.
 McKellen, Broadbent, and a broad bore August 10, 2007
0 out of 1 found this review helpful
McKellen shines; when does he not? Broadbent's performance could be easily overshadowed with a viewer that lacks familiarity with his work, but take my word, pay attention to the little things - his mannerisms - that a master actor can do.
Now, I realize that I used the word "broad" in my title, and while I originally intended it as word-play and to communicate my overall boredom at watching this film, I would be remiss if I didn't comment on what my subconscious wanted to say. Annette Bening is not a great actress. She's not as horrible as Irene Jacob in 'Othello' but she does very little that's good. Kristin Scott Thomas, however, deserves accolades for her understated performance.
Additionally, the inclusion of Robert Downey Jr. on the cover is misleading - he plays Rivers, and might be in the film for a total of 5 minutes; as a fan of his work, I was looking forward to seeing him act with the big boys, but that was not to be.
Doubt I can add anything useful May 7, 2007
An excellent adaptation and a good film on its own. Ian McKellen gives a brilliant performance.
DELICIOUS AND POISONOUS April 13, 2007
1 out of 1 found this review helpful
Generally I don't care much for modern adaptations of Shakespeare's plays, but in this case the work has been done so extremely well, and with such pathological flair, I'm absolutely convinced.
Wonderful idea to set RICHARD III in the 30s, and to parallel his rise to power with the rise of Fascism in Europe. Somehow, they managed to rise above the obvious, mostly by being so cold-bloodedly realistic about the time, the social class, and Richard's personal nastiness. The language remains intact, though there are judicious cuts, but the production has the rare distinction of looking like a film, as opposed to a filmed stage play; that's hard to do, but it succeeds very well here. The result is outrageous.
McKellen is wonderful in every sense of the word, playing everybody's favorite villian; the man you love to hate. But, but, playing deftly, intelligently, and with taste and a light, sardonic touch. To my mind, this is one of the few successful film versions of any Shakespeare play, on a level with Orson Welles' OTHELLO for inventiveness and verve; or Olivier's HAMLET, or the Zeferelli SHREW. Definitely one for your collection.
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