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No Wave: Post-Punk. Underground. New York 1976-1980 | 
 enlarge | Authors: Thurston Moore, Byron Coley
Creator: Lydia Lunch
Publisher: Abrams Image
Category: Book
List Price: $24.95
Buy New: $13.39
You Save: $11.56 (46%)
New (30) Used (7) from $13.38
Rating:  2 reviews
Sales Rank: 27308
Media: Hardcover
Number Of Items: 1
Pages: 144
Shipping Weight (lbs): 1.9
Dimensions (in): 10.1 x 8 x 0.8
ISBN: 0810995433
Dewey Decimal Number: 781.6609047
EAN: 9780810995437
ASIN: 0810995433
Publication Date: June 1, 2008
Availability: Usually ships in 1-2 business days
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Product Description
No Wave is the first book to visually chronicle the collision of art and punk in the New York underground of 1976 to 1980. This in depth look at punk rock, new wave, experimental music, and the avant-garde art movement of the 70s and 80s focuses on the true architects of No Wave from James Chance to Lydia Lunch to Glenn Branca, as well as the luminaries that intersected the scene, such as David Byrne, Debbie Harry, Brian Eno, Iggy Pop, and Richard Hell.
This rarely documented scene was the creative stomping ground of young artists and filmmakers from Jean-Michel Basquiat to Jim Jarmusch as well as the musical genesis for the post-punk explosions of Sonic Youth and is here revealed for a new generation of fans and collectors.
Thurston Moore and Byron Coley have selected 150 unforgettable images, most of which have never been published previously, and compiled hundreds of hours of personal interviews to create an oral history of the movement, providing a never-seen-before exploration and celebration of No Wave.
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| Customer Reviews:
eye candy and history July 15, 2008
2 out of 2 found this review helpful
1970's New York, a time of polemic filth and fury with displaced art kids crashing head first into the detritus to form bands without which we would have no Rapture, Yeah Yeah Yeahs or (insert a hundred names here). Framed around this incredible gathering of black & whites are interviews (conducted by the Thurston Moore and writer/editor/et cetera Byron Coley) with artists deep in the thick of said scene (i.e. James Chance, Glen Branca, Ikue Mori, Robert Quine and the ever-verbose Lydia Lunch), club owners, iconic groupies and passers-by, including Brian Eno who gives his perspective on the immortal Eno "produced" No New York compilation. Having been active participants during this era, the authors do a spectacular job of detailing the tenuous camaraderie, insular tension and the seeds of No Wave's demise. Not simply for those who know the difference between "No Wave" and "New Wave", the eye candy and history lessons make for an illuminating, universally appealing document.
Something bizarre to behold July 14, 2008
1 out of 2 found this review helpful
Best described as a mish mash of art and punk rock, the No Wave movement of the late 1970s was something bizarre to behold. "No Wave: Post Punk. Underground. New York. 1976-1980." is a look at the brief movement and those who were behind it, including James Chance and Lydia Lunch among others. Collected from oral history and interviews conducted by the authors, and enhanced with dozens of black and white photographs, "No Wave: Post Punk. Underground. New York. 1976-1980." is highly recommended for community library music collections.
Diane C. Donovan
California Bookwatch
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