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Conversation Pieces: Community and Communication in Modern Art

Conversation Pieces: Community and Communication in Modern Art

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Author: Grant H. Kester
Publisher: University of California Press
Category: Book

List Price: $25.95
Buy New: $20.59
You Save: $5.36 (21%)



New (19) Used (14) from $17.00

Sales Rank: 136899

Media: Paperback
Edition: 1
Number Of Items: 1
Pages: 253
Shipping Weight (lbs): 1.1
Dimensions (in): 9 x 5.8 x 0.8

ISBN: 0520238397
Dewey Decimal Number: 701.03
EAN: 9780520238398
ASIN: 0520238397

Publication Date: August 12, 2004
Availability: Usually ships in 1-2 business days
Condition: Brand New, Perfect Condition, Please allow 4-14 business days for delivery. 100% Money Back Guarantee, Over 1,000,000 customers served.

Also Available In:

  • Hardcover - Conversation Pieces: Community and Communication in Modern Art

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Editorial Reviews:

Product Description
Some of the most innovative art of the past decade has been created far outside conventional galleries and museums. In a parking garage in Oakland, California; on a pleasure boat on the Lake of Zurich in Switzerland; at a public market in Chiang Mai, Thailand--artists operating at the intersection of art and cultural activism have been developing new forms of collaboration with diverse audiences and communities. Their projects have addressed such issues as political conflict in Northern Ireland, gang violence on Chicago's West Side, and the problems of sex workers in Switzerland. Provocative, accessible, and engaging, this book, one of the first full-length studies on the topic, situates these socially conscious projects historically, relates them to key issues in contemporary art and art theory, and offers a unique critical framework for understanding them.
Grant Kester discusses a disparate network of artists and collectives--including The Art of Change, Helen and Newton Harrison, Littoral, Suzanne Lacy, Stephen Willats, and WochenKlausur--united by a desire to create new forms of understanding through creative dialogue that crosses boundaries of race, religion, and culture. Kester traces the origins of these works in the conceptual art and feminist performance art of the 1960s and 1970s and draws from the writings of Mikhail Bakhtin, Juergen Habermas, and others as he explores the ways in which these artists corroborate and challenge many of the key principles of avant-garde art and art theory.


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