| The Genius of the System: Hollywood Filmmaking in the Studio Era |  | Author: Thomas Schatz
Publisher: Pantheon
Category: Book
List Price: $24.95
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Rating:  6 reviews
Sales Rank: 558138
Media: Hardcover
Edition: 1st
Pages: 514
Shipping Weight (lbs): 1.9
Dimensions (in): 9.8 x 6.5 x 1.5
ISBN: 0394539796
Dewey Decimal Number: 384.80979494
EAN: 9780394539799
ASIN: 0394539796
Publication Date: January 1, 1988
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Condition: Good - Free shipping confirmation & tracking. 100% of your purchase helps Goodwill create jobs and change lives. A readable copy. All pages are intact, and the cover is intact (the dust cover may be missing). May have usage wear, reading creases, writing inside, bent pages, notes, highlighting, stains, light damage, exposure to water and/or stickers. If DVD/CD with external signs of wear, but one that continues to play perfectly. The item, inclusions, box or jewel case may be missing, damaged or marked but what is included remains complete and legible. Has not been tested but appears playable.
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Product Description
At a time when the studio is making a stunning comeback, film historian Thomas Schatz provides an indispensable account of Hollywood's tradional blend of business and art. This book lays to rest the persistent myth that businesspeople and producers stifle artistic talent and reveals instead the genius of a system of collaboration and conflict. Working from industry documents, Schatz traces the development of house styles, the rise and fall of careers, and the making-and unmaking-of movies, from Frankenstein to Spellbound to Grand Hotel. Richly illustrated and highly readable, The Genius of the System gives the definitive view of the workings of the Old Hollywood and the foundations of the New.
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| Customer Reviews: Read 1 more reviews...
A must for anyone interested in hollywoods's golden age March 8, 2005
2 out of 2 found this review helpful
Thomas Schatz argues in this brilliantly detailed book that even more remarkable then the motion pictures Hollywood produced from the early 20's through about the end of the 40's, was the detailed process of how Hollywood was able to churn out these quality films on a routine basis.
Schatz does a remarkable job of diagraming the rise of the studio system in Hollywood. The book is remarkably easy to follow (compared to any of Andrew Sarris's works) and includes numerous photographs. He focuses most on the trials and tribulations of Universal Studios, Warner Bros. and MGM and their distinct, integrated studio styles (RKO is mentioned to a lesser extent as well).
Producers Irving Thalberg, David O. Selznick, Daryl Zanuck and director Alfred Hitchcock are featured prominently and rightfully so. Also, includes many of the behind the scene battles between studios and directors/producers.
There are some minor criticisms though. He almost completely ignores Paramount and Colombia Pictures. Paramount was as much a factory set-up as MGM and deserves more attention. And the decline of the studio system is sparse compared to the rise of. But aside from that, this book is an enjoyable read and recommend it to anyone who is fascinated with early Hollywood.
 Fascinating, but buyer beware August 1, 2004
2 out of 2 found this review helpful
Schatz's book is well-rounded and nicely structured. It was a good decision on his part to take a round-robin focus on each studio instead of trying to mix them together, as some authors have. All of the studios had different ideas about what they wanted to achieve in their work, so this approach makes sense. Twentieth-Century Fox and Paramount were left out completely, but Schatz was clearly trying to choose one studio of each type of size and characteristic so as to keep control of the scope of the book.
I did find a glaring error--the finale to "Babes in Arms" was not the minstral number, but the song, "God's Country." In a book of this size, or of any size for that matter, errors will creep in, so it isn't the kiss of death. However, if the reader is familiar with MGM musicals, it may be a small turn-off.
Also, I wasn't satisfied with the epilogue. Instead of citing examples of the comeback of the studio system (LucasFilm, for instance), Schatz simply outlines the creative decline of Alfred Hitchcock. Huh.
Slight shortcomings aside, this book is very entertaining. I wish my film studies textbooks had been this interesting.
A refreshing take on Hollywood where business men are stars! November 26, 2003
2 out of 2 found this review helpful
Film theorist Andre Bazin once wrote "The American cinema is a classical art, but why not then admire in it what is most admirable, i.e., not only the talent of this or that filmmaker, but the genius of the system." Quite simply author Thomas Schatz had done just that with this groundbreaking and wondrously entertaining history of the Hollywood studio era.
Up until its publication in 1988, film history had been defined by the "auteur" school of thinking where the director is the supreme artist who nurtured the art form. The studio executives- the money men- were relegated to the background and often depicted as crass capitalist who often hindered the creative process.
In Schatz's eyes, men like Carl Laemmle, Darryl F. Zanuck, David O. Selznick, Harry Warner, and Irving Thalberg were intuitive geniuses who understood the art of storytelling and were able to systematically deliver that art to the masses with drive and innovation. From the low rent beginnings of the Nickelodeon to steady decline of the studio system amid the dawn of Television, these men set standards that are sadly not met by today's faceless conglomerates. They all created "the movies" as we fondly perceive it and Schatz lets the creation of 20th century popular culture unfold with a finely turned narrative sweep.
Just an excellent book on the subject July 27, 2000
12 out of 12 found this review helpful
Prof. Schatz does not suffer from the scholar's disease of academic-speak and writes a book that clearly demonstrates his expertise on the studio structure. Most books I have read extended the view of the outsider looking in at the star system and not the economics of the studios. "Genius of the System" chronicles the history of the studio's business, that is to say the economics and the people behind the economics.If you want to read about the business structure of Hollywood during its beginnings, this is the book for you. I cannot recommend it enough.
Hollywood's golden age is richly revealed and explained. June 27, 2000
12 out of 13 found this review helpful
An easy to read writer, Thomas Schatz details how the studio system worked from the silent era to its final collapse in the 1960s. He illuminates both the art and the business of films, with keen analysis of how producers, directors and screenwriters created such fine art (and rich profits) -- especially the producers, who are more the authors of Hollywood films than any other group. He convincingly portrays MGM's Irving Thalberg as a genius of art and commerce and MGM's Louis B. Mayer as a clod (except when dealing with difficult stars). Schatz offers telling portraits of many others who did their best work under the constraints of the Hollywood system. He details the major studios' styles and how they evolved over the years. It's clear he has read file cabinets of documents, from endless -- but revealing -- memos to how much the stars made(!). He also puts the film industry in social and cultural context; he even says the anti-communist witch hunts of the 1940s and 1950s were a disguised form of anti-semitism. In the end, Schatz offers a convincing alternative to the auteur theory.
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