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Here, Bullet

Here, Bullet

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Author: Brian Turner
Publisher: Alice James Books
Category: Book

List Price: $15.95
Buy Used: $5.00
You Save: $10.95 (69%)



New (38) Used (23) from $5.00

Rating: 4.5 out of 5 stars 30 reviews
Sales Rank: 36369

Media: Paperback
Number Of Items: 1
Pages: 80
Shipping Weight (lbs): 0.1
Dimensions (in): 8.3 x 5.3 x 0.4

ISBN: 1882295552
Dewey Decimal Number: 811.6
EAN: 9781882295555
ASIN: 1882295552

Publication Date: November 1, 2005
Availability: Usually ships in 1-2 business days

Also Available In:

  • Paperback - Here, Bullet

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Editorial Reviews:

Product Description

Adding his voice to the current debate about the US occupation of Iraq, in poems written in the tradition of such poets as Wilfred Owen, Yusef Komunyakaa (Dien Cai Dau), Bruce Weigl (Song of Napalm) and Alice James' own Doug Anderson (The Moon Reflected Fire), Iraqi war veteran Brian Turner writes power-fully affecting poetry of witness, exceptional for its beauty, honesty, and skill. Based on Turner's yearlong tour in Iraq as an infantry team leader, the poems offer gracefully rendered, unflinching description but, remarkably, leave the reader to draw conclusions or moral lessons. Here, Bullet is a must-read for anyone who cares about the war, regardless of political affiliation.

Here, Bullet

If a body is what you want,
then here is bone and gristle and flesh.
Here is the clavicle-snapped wish,
the aorta's opened valves, that leap
thought makes at the synaptic gap.
Here is the adrenaline rush you crave,
that inexorable flight, that insane puncture
into heat and blood. And I dare you to finish
what you've started. Because here, Bullet,
here is where I complete the word you bring
hissing through the air, here is where I moan
the barrel's cold esophagus, triggering
my tongue's explosives for the rifling I have
inside of me, each twist of the round
spun deeper, because here, Bullet,
here is where the world ends, every time.

Brian Turner earned an MFA from the University of Oregon and lived abroad in South Korea for a year before serving for seven years in the US Army. He was an infantry team leader for a year in Iraq beginning in November 2003 with the 3rd Stryker Brigade Combat Team, 2nd Infantry Division. Prior to that, he was deployed to Bosnia-Herzegovina in 1999 with the 10th Mountain Division. His poetry has been published in Poetry Daily, The Georgia Review, and other journals, and in the Voices in Wartime Anthology published in conjunction with the feature-length documentary film of the same name.




Customer Reviews:   Read 25 more reviews...

4 out of 5 stars Excellent, really does capture the experience.   August 29, 2008
As an Operation Iraqi Freedom vet, I can say that I find nothing in this book to not be completely within the realms of accuracy. A cathartic book for those who've seen action, a good expression of the experience.


5 out of 5 stars Book Review   August 24, 2008
This book purchased as a gift for my wife. She read it quickly and really enjoyed it.

Excellent writer



5 out of 5 stars Fundamental Humanity   June 9, 2008
Subject aside, this is raw poetry. It is bare. It is honest. It has all the marks of a true theophany: the mystery that attracts irresistably, and the horror that repels, that paralyzes with trembling fear at the same time. If you cannot have the experience itself, or if you want to read someone elses notes on an incomprehensible experience you've shared with them, you will want to read this. Most "great" poetry about world shaking events was written decades, if not centuries, after the event. There is, however, a short shelf of poetry written by the people who were there, written when it happened. i think people hesistate to call it "great" because it lacks the essential distance of greatness. That does not make it any less personal, any less human, any less intense--and a hundred times more fundamentally human. Reading this, I'm reminded of the overwhelming effect the Crusades had on European culture. The conquorers were conquored one by one, and Western culture is all the greater for it. I hope Brian Turner goes on to cast this writer's eye on every detail of the remainder of his life. The everyday life he grew up in the US with is no less worthy than the life he experienced over there--after all, THAT is the life millions have grown up with as everyday, by definition. Yet look at how extraordinary.


5 out of 5 stars A Window   May 11, 2008
I was tentative when I ordered the book and thankful after I read it.
This strange and complicated and dreadful event which is raging over there was not made clearer (how could it!) but it was brought closer. For a while I was enabled to see it through the eyes and the mind of a man who has compassion and detachment at the same time. Linking his poems often to Koranic verses and Arab concepts provides an insight into the otherness as well as the comonality of these two worlds.
I bought 4 copies - one for myself the others for my children.
H. Boehme



5 out of 5 stars Iraq Through the Poet's Eye   April 16, 2008
"The history books will get it wrong.
There will be nothing written
about the island ferris wheel
frozen by rust like a broken clock...."
"Ferris Wheel"

In Here, Bullet, U. S. Army veteran Brian Turner gets it right as only a poet can. Through vivid and varied images and voices, Turner illustrates the nuanced reality of the Iraq War Theater. He shuns cliche as he chronicles the scenes of war from unique and unexpected perspectives. In "Baghdad Zoo," Turner displays the chaos widely reported after the 2003 invasion not through familiar images of looting, sniper fire, and explosions, but through the experience of displaced animals thrust into a surreal and alien habitat. The absurdity of the scene provides a powerful metaphor that rings excruciatingly true.

Turner displays a profound respect for the rich culture of the Middle East that is often overlooked in the strife of battle. In "Alhazen of Basra," Turner pays homage to scientific and mathematical advances that form the foundation of academics. "Gilgamesh, in Fossil Relief" honors both the ancient poet and the modern archaeologist. Narthere, a painter, strives to capture in art the war around him as Turner depicts his frustration in "Easel."

Many have been touched in one way or another by the current war. Turner broadens his readers' perspectives with the voices of soldiers, medical personnel, and Iraqi civilians. Through these balanced points of view, Turner does what no camera or history book can do. He reveals what it is like to feel a life slip through the fingers, to be at the center of an exploding market, to strive for a sense of normalcy in a world turned upside down. Turner jars the imaginations and emotions of his readers through the concise words of a skilled poet.

With a minimum of judgment, Turner illuminates the world that friends, children, siblings, and spouses have experienced in Iraq. And he reminds his readers of the common human emotions and desires shared by combatants on both sides of war and by civilians caught in between. Far from a political statement, it is a statement of the human condition in a time of war.




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